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Play Time: 1:30 - 2:10
Unique Accidentals: 3-4
Unique Accidentals: > 4
Unique Chords: 7-10
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Baroque
Invention No. 2
StaccatoFreak
1:32 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 29 4 7 4 100%
Bass 39 10 12 3 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 29 4 7 4 100%
Bass 39 10 12 3 98%
 
Elisabeth Jacquet de la Guerre Sarabande
pental
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
 
K.178, Domenico Scarlatti
PreludeAndFugue
2:07 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 6 96%
Treble 19 5 4 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 6 96%
Treble 19 5 4 3 89%
 
Elisabeth Jacquet de la Guerre Allemande
pental
2:07 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
 
Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.
Jamie Holdham
2:09 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 21 9 5 9 88%
Bass 13 4 2 9 87%
Bass 14 0 1 6 82%
 
Prelude No. 1 (D Minor)
Leonardo Cisija
1:55 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 0 11 7 100%
Bass 31 7 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 0 11 7 100%
Bass 31 7 11 4 100%
 
Elisabeth Jacquet de la Guerre 2e Courante
pental
1:30 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
 
J.P. Rameau, Suite en Sol, Les Sauvages
pental
1:46 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
passepied (GWV 325)
Masua
1:36 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicémbalo Treble 13 0 2 3 100%
Bass 14 7 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicémbalo Treble 13 0 2 3 100%
Bass 14 7 3 4 100%
 
"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)
edward.maurath
1:58 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 16 10 3 5 100%
Bass 17 0 3 4 77%
Bass 18 6 4 5 94%
Harp (Continuo) Treble 16 10 3 5 100%
Bass 18 6 4 5 94%
Bass 17 0 3 4 77%
Violoncello (Continuo) Bass 18 0 3 5 94%
Contrabass (Continuo) Bass 17 0 3 4 77%
Contrabasses (Continuo) Bass 17 0 3 4 77%
Strings 16 0 3 4 77%
Violoncellos (Continuo) Bass 18 0 3 4 77%
Rodrigo 15 0 5 7 67%
 
Bois épais (Amadis - Jean-Baptiste Lully)
Carlos E. Marrero
2:04 Est. Play
Time
56 Measures
1,148Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clave
II		 Treble 19 8 3 7 100%
Bass 21 6 5 6 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clave
II		 Treble 19 8 3 7 100%
Bass 21 6 5 6 100%
Clave
I		 Treble 21 43 5 17 100%
Bass 20 0 2 6 97%
Cello Bass 18 0 3 6 100%
Contrabajo Bass 19 10 3 6 100%
Violas
1		 14 0 1 7 100%
Violas
2		 13 0 1 6 100%
Violines
1		 Treble 13 0 2 7 100%
Violines
2		 Treble 13 0 3 6 100%
Amadis Treble 12 0 2 8 75%
Oboe
d'Amore		 Treble 12 0 5 8 75%
Flauta Treble 13 0 1 5 27%
Oboe Treble 7 0 1 5 27%
Fagot
1		 Bass 9 0 0 6 25%
Fagot
2		 Bass 15 0 1 5 25%
Clarinete
en
Si♭		 Treble 8 0 1 5 9%